One note which I had commented about before my blog began, was that if authors decide to capture sound at 96k samples /second, the resulting sound should compress well using
But now that I have experimented with ‘
QTractor‘ and an external sound card, I have realized that we will probably also be capturing that sound in 24-bit sample-format, instead of 16-bit. And the sad fact is, that
FLAC will not compress the 24-bit format as well, as it did 16-bit.
The reason seems clear. Using ‘Linear Predictive Coding’ means that
FLAC will be able to predict the next sample in a set of so-many, to maybe 8 bits of precision, except that the next sample will always deviate from this prediction by a small residual. So 8-bit sound should compress brilliantly.
But then with 16-bit, the accuracy of the encoding stays the same. So again, the ‘LPC’ is really only 8-bits accurate at best, meaning that we get a larger residual. The size of that residual is what makes up most of a
Well at 24-bit, again, the LPC will only predict the next sample, accurately to within 8 bits. And so the residual is likely to be twice as large, as it was with 16-bit, completing 24-bit accuracy this time. We are not left with much compression then.
When I recorded my 14-second sound session the other day, I selected
FLAC as my capture file format. I had a noisy air-conditioner running in the background. Additionally, the compression level defaults to Fastest, because the file needs to be written in real-time, and not chewed on.
At 96 kHz, 24-bit stereo, raw audio will take up about 4.6 mbps. At 44.1 kHz, 16-bit stereo, raw audio takes up about 1.4 mbps.
Well I was capturing to a stereo
FLAC File, but was only using one channel out of the two. So the
FLAC File that resulted, had a bit-rate of 2.3 mbps. This means that
FLAC recognized the silent track and used ‘Run-Length Encoding’ on it,
but that was about all this CODEC could do for me.
Now, we do have a command-line tool which will-re-compress that file:
$ flac -8 infile.flac -o outfile.flac $ flac -8 infile.flac --channels=1 -o outfile.flac $ flac -8 infile.flac --channels=1 --blocksize=8192 -o outfile.flac
The -8 means to use maximum compression.
For me, the bit-rate went down to 2.2 mbps either way.
It beats using a raw format, because using the latter would have meant, nothing would have detected my silent stereo channel, and the file would have been twice as large.