The wording ‘Light Values’ can play tricks on people.

What I wrote before, was that between (n) real, 2D photos, 1 light-value can be sampled.

Some people might infer that I meant, always to use the brightness value. But this would actually be wrong. I am assuming that color footage is being used.

And if I wanted to compare pixel-colors, to determine best-fit geometry, I would most want to go by a single hue-value.

If the color being mapped averages to ‘yellow’ – which facial colors do – then hue would be best-defined as ‘the difference between the Red and Green channels’.

But the way this works out negatively, is in the fact that actual photographic film which was used around 1977, differentiated most poorly between between Red and Green, as did any chroma / video signal. And Peter Cushing was being filmed in 1977, so that our reconstruction of him might appear in today’s movies.

So then an alternative might be, ‘Normalize all the pixels to have the same luminance, and then pick whichever primary channel that the source was best-able to resolve into minute details, on a physical level.’

Maybe 1977 photographic projector-emulsions differentiated the Red primary channel best?

Further, given that there are 3 primary colors in most forms of graphics digitization, and that I would remove the overall luminance, it would follow that maybe 2 actual remaining color channels could be used, the variance of each computed separately, and the variances added?

In general, it is Mathematically safer to add Variances, than it would be to add Deviations, where Variance corresponds to Deviation squared, and where Variance therefore also corresponds to Energy, if Deviation corresponded to Potential. It is more generally agreed that Energy and its homologues are conserved quantities.

Dirk

 

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